ABOUT FIN
Pardon our French, but 'FIN' is more than just a name.
Inspired by the unforgettable endings of magnificent French arthouse movies, our moniker encapsulates glamour, emotion, and style. These films, with their stunning cinematography and contemporary tales of human morality, struck a chord with our own philosophy. At FIN, we believe in producing content that is not only visually striking but also rich in storytelling and meaning.
Our approach is refreshingly different. We eschew the blockbuster advertising agency budgets yet deliver results that rival even the grandest productions. The proof they say, is in the pudding… but as we’re more a savoury type of company, we like to measure it by the enduring relationships we've built with our clients and the calibre of names in our portfolio.
Many of our clients have sought us out directly, leaving behind standard models in favour of a new way forward. And although our world is communicating your message in the most effective way, we never like to advertise ourselves. Some may like to shout and brag about what account they have won; we would rather keep behind the scenes and let our work do all the talking. Our clients come to us through word of mouth and recommendations, a testament to the trust they place in our abilities.
Sure, we've ruffled a few feathers along the way, challenging the status quo and disrupting norms. But at the end of the day, it's not about agencies or budgets – it's about delivering results. Your success is our success and together, we'll continue to rewrite the rules and shape the future of creative production.
ABOUT FIN
Image courtesy - © Terence Gallacher
SOHO SQUARE FACILITIES
Located within the historic walls of the former Movietone News headquarters, Number 22 Soho Square London embodies a rich legacy of filmmaking. At FIN, we're proud to honour this heritage as we continue to push the boundaries of creativity in our retro-modernist Soho HQ.
As custodians of this iconic space, we're not just innovators – we're storytellers preserving the spirit of cinematic history. Our team draws inspiration from the pioneers who once walked these halls, infusing our work with a deep appreciation of the craft.
Equipped with state-of-the-art filming and post-production equipment, we blend tradition with technology to produce cutting-edge content. Yet, it's our passionate and skilled team that truly brings the legacy to life. They seamlessly navigate between production processes, harnessing their expertise to unleash creativity and deliver captivating stories for our clients.
IN-HOUSE POST-PRODUCTION:
5 X AVID MEDIA COMPOSER 8K EDIT SUITES
PRO TOOLS SOUND SUITE & VO BOOTH
FLAME & CGI VFX DEPARTMENT
BASELIGHT COLOUR GRADING THEATRE
LOCALISATION & VERSIONING DEPARTMENT
PAID & ORGANIC SOCIAL ASSET CREATION STUDIO
ABOUT FIN
FULL PRODUCTION CAPABILITY
At FIN, we're at the forefront of production innovation, seamlessly blending creativity with technical expertise across all genres. Whether collaborating with the industry's most respected DPs and full crew or self-shooting actuality, we're constantly pushing the boundaries to achieve unique filming techniques, camera rig setups, and shooting styles. Our production knowledge spans from expertise in full Motion Control camera arrays to implementing a full Virtual Production setup into your filming requirements.
Pioneering a quick and nimble approach, we've meticulously selected and invested in a range of production equipment to match our dynamic needs. Our lead crew and R&D department are renowned for their hands-on approach, inventiveness, and practicality. Back in 2005, well before the current surge in drone popularity, they developed bespoke Helicam devices like the H.A.R.P (High Altitude Recording Platform) for productions requiring cutting-edge aerial footage.
In addition to our aerial capabilities, we boast dedicated car-to-car filming vehicles designed to capture stunning on-road automobile shots. From our Range Rover camera car, equipped with in-dash monitors and a motorized jib arm, to our high-speed stabilised tracking vehicle enabling ultra-dynamic camera movements, we're equipped to handle even the most demanding filming challenges with precision and finesse.
As the industry evolves, so do our methods. At FIN, we’re integrating AI-augmented production and VFX workflows that enhance, not replace, the craft of filmmaking. Our teams use AI-driven previs, generative augmentation, environment builds, cleanup and intelligent plate acquisition to unlock faster workflows and more ambitious ideas. Combined with our VFX and virtual production capabilities, these tools allow for smarter shoots, deeper visual exploration, and high-end results delivered with greater efficiency and control.
ABOUT FIN
ANIMATION
At FIN, our VFX and Graphics team, led by industry veteran Darian Weir, sets the standard for visual excellence. A respected pioneer in visual effects, Darian was among the first operators in London to embrace the groundbreaking Flame graphic systems, helping redefine complex compositing, finishing and advanced 3D workflows long before they became industry standard.
Our graphics department is built for scale and precision, featuring a comprehensive suite of Flame, 3D and 2D workstations, supported by an in-house render farm and remote, scalable render nodes. This infrastructure allows us to respond rapidly to creative demands, whether delivering high-end hero shots, complex simulations or large-volume asset pipelines.
In our 3D department, we utilise cutting-edge acquisition and build techniques including photogrammetry, NURBS-based modelling, Gaussian splatting and LiDAR-assisted workflows, ensuring the highest fidelity assets from the very first stage of production. These assets are prepared for both traditional offline rendering pipelines and real-time engines, enabling seamless use across VFX, animation, virtual production and immersive content.
Extending this capability further, FIN deploys its advanced drone platforms to capture large-scale environments, architecture, landscapes and infrastructure with exceptional accuracy. Through aerial photogrammetry and spatial capture, we are able to reconstruct entire locations as detailed 3D digital environments, ideal for virtual set extensions, digital backlots, environment replacements or fully CG sequences. This approach allows productions to expand physical locations, revisit environments in post, or build worlds that would otherwise be impractical or impossible to shoot.
Our animation and CG work spans high-end brand films, broadcast commercials, experiential content and long-form storytelling, combining cinematic craft with technical ingenuity. From subtle invisible effects to fully realised digital worlds, every frame is handled with intent, control and creative integrity.
With FIN’s long-standing reputation for excellence and innovation, your project is supported by a team that understands both the art and the engineering of visual storytelling. Whatever the scale or complexity of your graphic requirements, we deliver solutions that are ambitious, precise and built to endure.
ABOUT FIN
SOCIAL
At FIN, social media is treated with the same creative rigour and production discipline as broadcast and brand film. We create platform-native social content designed to perform, scale and endure, whether delivered organically or amplified through paid campaigns.
Our teams develop social-first ideas that translate into robust content systems, allowing campaigns to live across multiple platforms, formats and markets. From high-impact hero assets to cut-downs, revisions and reactive content, we manage the full lifecycle of social campaigns from concept through to delivery.
We specialise in both paid and organic social production, working closely with media and performance teams to ensure creative is built for its intended environment from the outset. Every asset is crafted to meet platform behaviour, technical specifications and audience expectations, maximising efficiency without sacrificing creative quality.
Supporting this is our in-house localisation and versioning team, enabling rapid adaptation of content for international markets. We manage regional nuance, language, tone and compliance, delivering large volumes of market-ready assets with consistency and precision. This allows brands to scale globally while maintaining a coherent creative voice.
Whether delivering tightly targeted paid campaigns, organic social storytelling or high-volume international rollouts, FIN provides a joined-up social production engine that is agile, reliable and built for modern content demands. Fast-moving, strategically aligned and creatively uncompromising, we ensure social work is not just delivered, but delivered properly.
ABOUT FIN
At FIN, our success is driven by the depth of talent and experience within our team. With more than 20 specialists across production, post-production, animation, social and localisation, we have built a diverse and highly skilled collective focused on delivering work of the highest standard.
Our motion graphics and animation team brings creativity and technical precision to every project. With a strong command of design, animation and visual storytelling, they craft work that is both striking and purposeful, ensuring ideas translate clearly and effectively across platforms.
Alongside this sits our dedicated Social Activation and Creation team, responsible for the development and delivery of paid and organic social campaigns. Working across strategy, creative, content creation and delivery, the team builds platform-native campaigns designed to perform. From hero assets and always-on content to high-volume revisions, cut-downs and CMS delivery, they manage the full social lifecycle with speed, consistency and creative integrity.
Our language and localisation team plays a vital role in supporting global campaigns. Made up entirely of native speakers from their respective markets, they bring cultural insight, linguistic accuracy and tonal sensitivity to every project. This ensures seamless international rollouts while also introducing fresh perspective and cultural intelligence into domestic campaigns.
In post-production, our in-house editors, supported by a trusted network of specialist freelancers, bring extensive experience across broadcast, digital and social content. Their collaborative approach and creative judgement ensure each project is finished with clarity, pace and visual impact.
Our production teams, including a carefully selected roster of Directors of Photography, Art Directors and production specialists, have delivered over 600 productions for global brands. Their experience spans a wide range of genres and formats, enabling them to approach every project with confidence, precision and attention to detail.
At FIN, our team is more than a collection of individuals. We are a tightly integrated creative partner, combining expertise, craft and passion to bring ideas to life with intelligence, care and consistency.
OUR PEOPLE
ABOUT FIN
LEADERSHIP
DAN CONSTANTINOU
-Founder-
Film & Commercials Director
DARIAN WEIR
-Founder-
Creative Director
MARK WILLIAMS
-Company Director-
Senior Editor
TOM CHARTRES
-Lead Project Manager-
Head of Finance
